“attachment, firstly…isn’t just a thing; there are qualities of attachment.”*

*Professor Sir Michael Rutter 1933 – 2021
(Slam.nhs.uk): “Wednesday, October 27, 2021: South London and Maudsley NHS Foundation Trust, together with King’s College London, is deeply saddened to announce that Emeritus Professor Sir Michael Rutter CBE FRS FRCP FRCPsych FMedSci, has died peacefully at home surrounded by his family.”

From Wikipedia:

“Peter Collinson was born in Cleethorpes, Lincolnshire in 1936. His parents, an actress and a musician, separated when he was two years old; he was raised by his grandparents. From the age of eight until 14 he attended the Actor’s Orphanage in Chertsey, Surrey, where he had the chance to write and act in many plays.

Noël Coward, who was president of the orphanage at the time, became his godfather and helped him to obtain jobs in the entertainment industry, which was dramatized in the radio play Mr Bridger’s Orphan by Marcy Kahan in 2013. (Collinson later directed Coward in his best-known film, The Italian Job (1969)). He auditioned for RADA but was rejected, so went to work for the New Cross Empire theatre when aged 14. He did a variety of theatrical jobs until 1954, when he was called up for national service. He served as a private with the Queen’s Royal Regiment (West Surrey) for two years in Malaya during the Malayan Emergency.

Collinson’s early television work included time as a floor manager for the BBC and directing for ATV at Elstree studios. He was an assistant director on a short, The Pit (1962), and made a documentary, Blackwater Holiday (1963).

He also worked with Telefís Éireann, the Republic of Ireland‘s national TV station, and in 1963 he won a Jacob’s Award for his production The Bomb. He produced a stage musical in Dublin, Carrie (1963), starring Ray McAnally.

Collinson began to direct TV: the film Don’t Ever Talk to Clocks (1964), In Loving Memory (1964), The One Nighters. He also made episodes of Sergeant Cork (1964), The Sullavan Brothers (1964), The Plane Makers (1964), Love Story (1964–65), Front Page Story(1965), Knock on Any Door (1965), A Day of Peace (1965) Blackmail (1965–66), and The Power Game, Women, Women, Womenand The Informer (all 1966).

Whilst working in TV he met producer Michael Klinger, who offered him the director role on the film The Penthouse (1967); this became Collinson’s directorial debut. Starring Suzy Kendall, the low-budget film was released in the US and proved to be a surprise hit. Collinson followed it with Up the Junction (1968), starring Kendall and Dennis Waterman, which received some strong reviews.

Collinson directed two films for Paramount, both produced by Michael Deeley: The Long Day’s Dying (1968), a low-budget war film, and The Italian Job (1969), a caper movie starring Michael Caine and Noël Coward. Dino De Laurentiis said he was to direct a film about Ned Kelly in Australia, The Iron Outlaw, but it was never made. Instead, Collinson went to Turkey where he directed Tony Curtis and Charles Bronson in You Can’t Win ‘Em All (1970). He clashed with Curtis during filming. He was meant to helm a biopic of Robert Capa, but it was never made.

Back in England he made Fright (1971), a thriller with Susan George. He did a horror movie for Hammer FilmsStraight On till Morning (1972), with Rita Tushingham, then Innocent Bystanders (1972), a thriller shot in Spain and Turkey with Stanley Baker.

Collinson went to Spain to direct a Western, The Man Called Noon (1973). He followed it with Open Season (1974), starring Peter Fonda; a remake of And Then There Were None (1974), filmed in Iran with Oliver Reed; a remake of The Spiral Staircase (1975), shot in England with Jacqueline Bisset; Target of an Assassin (1976), filmed in South Africa with Anthony Quinn; and The Sell Out(1976), shot in Israel with Reed.

He went to Canada for Tomorrow Never Comes (1978), with Oliver Reed and Susan George; it was entered into the 11th Moscow International Film Festival. He followed it with The House on Garibaldi Street (1979), a US telemovie starring Topol.

His last feature was The Earthling (1980), shot in Australia with William Holden and Ricky Schroder.

He was meant to direct The Gangster Chronicles for US television but died shortly before filming was to begin. Richard Sarafianstepped in.

During the filming of The Earthling (1980), Collinson discovered he was terminally ill; he died from lung cancer in Los Angeles. He was survived by his wife Hazel and two sons, aged 13 and 10.”

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